Cleopatra and julius caesar painting11/29/2023 ![]() It captures a pivotal moment where history converges with artistry – an intimate demonstration that transcends time. This painting not only showcases Batoni's exceptional talent but also serves as a reminder of the intricate connections between these influential leaders from different worlds. His expression reflects a mix of curiosity and admiration for his great-uncle Julius Caesar, whose legacy he would later inherit. Octavius appears captivated by both the beauty of the sculpture and its symbolic significance. As she delicately unveils the sculpture, one can almost feel her pride in presenting such an important artifact from her past lover and ally. Cleopatra's regal presence is evident in her confident stance and mesmerizing gaze. Batoni's masterful brushstrokes bring life to this historical encounter. ![]() The scene unfolds as Cleopatra reveals a remarkable bust of Julius Caesar to Octavius. Cleopatra, the powerful and enigmatic queen of Egypt, stands before Octavius, also known as Augustus Caesar, the future emperor of Rome. In this oil on canvas painting by Pompeo Girolamo Batoni, we are transported back in time to witness a significant moment between two legendary figures. XOT359121 Cleopatra showing Octavius the bust of Julius Caesar (oil on canvas) by Batoni, Pompeo Girolamo (1708-87) Musee des Beaux-Arts, Dijon, France (add.info.: Cleopatra Mostra ad Ottavio il Busto di Giulio Cesare 88:from the exhibition Cleopatra in the Mirror of Western Art displayed at the Rath Museum, Switzerland ) Italian, out of copyright "It will be a period seen in a new light.Favorite Cleopatra showing Octavius the bust of Julius Caesar (oil on canvas) Some 30 museums and collections in ten countries have contributed more than 230 masterpieces never before seen together. From New York, it will continue on to Toronto, where it can be seen at the Royal Ontario Museum from February 13 through May 22. Titled "Egyptian Art in the Age of the Pyramids," the show opened at the Grand Palais in Paris. The most comprehensive exhibition ever mounted of the art of the Old Kingdom will be on display at the Metropolitan from September 16 through January 9. It showed how creative the artist could be within the canon." "The artistic conventions set the way to show people," says Dorothea Arnold, head curator of Egyptian Art at the Metropolitan Museum of Art in New York. ![]() ![]() Most important, the basic framework of Egyptian art was set during this time a canon that would provide ensuing artists for thousands of years with a specific way of depicting the human figure. In addition to the rise of the Pyramids and the birth of the Sphinx, these years witnessed the creation of statuary unsurpassed to this day for its massive simplicity, grace and elegance and of wall reliefs notable for their sculptural mastery and accurate depiction of nature. "Long before Tutankhamun, centuries before Cleopatra and Julius Caesar," writes author Bennett Schiff, "in the age when the Great Pyramid of Giza was built and the Sphinx took shape above the sands, roughly 4,600 years ago, the pattern was already set for all that came in Egyptian art for millennia afterward." The period of the Old Kingdom, covering some 500 years from about 2650 b.c.
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